Tag Archives: relaxing guitar

Meditation on Which Will (Nick Drake Guitar Part)

Nick Drake’s guitar parts (and music in general) seem to live in their own magical realm that we can tap into whenever listening to an album like Pink Moon.  I was trying a new recording set up one day and decided to see how it would sound playing my version of the guitar part from “Which Will,” which is not really meant as a note-for-note copy of the original guitar part.  Rather, I wanted to do a sort of meditation on the part and just enjoy the mellow vibes that Drake’s music always impart to me.  Hope you enjoy.

Ki Ho’alu (Gabby Pahinui Slack Key Cover, Taylor Nylon Guitar)

Here’s an alternate version of my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which of course is the Hawaiian term for “slack key.”  I probably first heard this song on the stellar “Pure Gabby” album, although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.  My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.

Crossing the Field (Original Fingerstyle)

Here’s another take of “Crossing the Field,” a song from my “Awake Again” album.  “Crossing the Field” was recorded as part of a pair of songs (along with its companion song, “Moment in the Sun”) to set the stage for the second half of the album.  Following the dramatic strumming of “Make” that closed the first half of the album, “Moment” & “Field” framed the mellower vibe of the album’s remaining songs.  Hope you enjoy.

 

Magic Sands (Original Slack Key, Alt Take)

I used to take a guitar to sit and play some slack key at beaches around Kailua-Kona like Old Airport, Honl’s, Kahalu’u, Keauhou Bay, and La’aloa Beach Park… which is also known locally as White Sands, or Magic Sands.  La’aloa Beach Park is just off Ali’i Drive a few miles South of Kailua-Kona.  Often known as Magic Sands because the sand ‘disappears’ practically overnight from most of the shoreline during winter swells, only to fully ‘reappear’ in the Summer, the beach is a popular spot for residents of Kona.  I often used to head over there with a cup of Kona coffee in the early morning before the crowds arrived, when it was still quiet, and sit on the picnic tables and play guitar.  Here is a slack key style tune I wrote one day while hanging out with my guitar around Magic Sands.  Hope you enjoy.

Slack Key Number 1 (Taylor 412ce)

Here is an alternate take of Slack Key No. 1, the classic showpiece of slack key master Sonny Chillingworth.  I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.”  The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar.  Both versions are very similar, though with some slight differences.  I have incorporated elements from both versions in the arrangement I play.  Hope you enjoy. 

Fair Wind (912ce)

Here is a more recent version of my song “Fair Wind.”  The song is named for a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.

Bron~Yr~Aur (K22ce Alt Take)

Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song.  Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it.  This is an alternate version recorded on my Taylor K22ce.

Young Street Blues (Cyril Pahinui Slack Key Cover)

Like many, my first exposure to Cyril’s solo recordings came through his amazing albums recorded for the Dancing Cat label, including the “6 & 12 String Slack Key” album on which “Young Street Blues” is featured.  This particular song was highlighted for me in Mark Hanson’s excellent book of slack key transcriptions, which featured this among other songs by Cyril and other slack key legends.  

The liner notes to the album tell a story of Cyril writing the song at a recording studio on Young Street in 1991.  I seem to recall another story, told by Cyril at a performance, about Cyril living in an apartment on Young Street and feeling kind of restless.  Young Street, starts (or ends) in Honolulu’s Mo’ili’ili neighborhood, running between King Street and Beretania, through Makiki, to Thomas Square Park near the Honolulu Museum of Art.  I recall Cyril talking along the lines of how Young Street was sandwiched between these prominent streets and landmarks in a kind of limbo, being neither here nor there.  I think the song (and ‘that note’) speak to such a restless vibe… but also a sense of playfulness.

Unusually for his solo work, Cyril uses Taro Patch tuning – the most common slack key tuning, but not one featured as often as the C and D tunings Cyril favored.  Cyril’s style is at once both muscular and nuanced, with deep tunings and sometimes the added jangle of a 12 string guitar – it’s a ‘large’ sound.  I tried to capture that feel here by tuning down to a lower register.  This song was fun to play and record.  Hope you enjoy.