Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby). Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album. Per below, my recording of the medley here includes a slightly different lineup of songs. Hope you enjoy.
Demo recording of original song Bumble Bee Slack Key, inspired in part by the nalo meli, honey bees buzzing about their business.I wanted a song that was both lively and mellow and think I achieved it.Hope you enjoy.
“Green Tea” is a fingerstyle improvisation based on the idea of toying with certain oft used open tuning tropes and seeing how they could be morphed. Listening back, I enjoy the sound of the dreadnaught guitar I recorded it on, even though I have been using predominantly smaller bodied guitars for the last 4-5 years or so. While small bodied guitars have a great balance that is perfect for many situations, sometimes there’s just something nice about the sound of a big boomy acoustic box. Hope you enjoy.
Today’s song from the vaults is an ukulele improvisation dubbed “Sunny Afternoon in My Ohana,” after the ohana unit where I recorded it. The unit centered on a large tile floored room with great acoustics that I kept mostly empty of furniture for recording purposes. People think of tile as producing a bright, harsh sound, but I never found the room to be that way at all. At any rate, it complemented the sound of ukulele nicely and though I only have a handful of uke recordings from that time, I recall playing uke a lot while living there. Anyway, this is one of those recordings; I hope you enjoy this music.
Today’s song from the vaults, “Waimea Ride,” is a slack key improvisation that blossoms from a familiar type of descending figure.Though often used as part of a turnaround, this type of walk down has also been featured as a melodic device in a number of songs, most notably Leonard Kwan’s classic signature tune Opihi Moe Moe. I also recall Ozzie Kotani using it in some of his songs.Anyway, I thought the descending figure and overall pace of this improv might evoke the picture of a Paniolo riding downslope on horseback, ergo the title.Hope you enjoy.
Here is an improvisation I did based on Leonard Kwan’s famous slack key arrangement of “Silver Threads Among the Gold.” This classic tune is a popular piece in the slack key repertoire and often one of the first things people learn when exploring Drop C tuning. Most listeners of modern day Hawaii radio will recognize Silver Threads as the slack key passage quoted in the intro to Country Comfort’s Waimanalo Blues, a beloved song in the islands in its own right. Hope you enjoy.
“Moment in the Sun” and it’s companion song “Crossing the Field” were recorded as a pair of songs to set the stage for the second half of my “Awake Again” album. Following the dramatic strumming of “Make” that closed the first half of the album, “Moment” & “Field” frame the mellower vibe of the album’s remaining songs. Hope you enjoy.
Bull by the Horns is a longer folk fingerpicking piece from my “Awake Again” project. I don’t often use a capo, but sometimes it’s nice to have that bright, chimey sound and snappy playability you get from moving up the neck. Hope you enjoy.