Tag Archives: blue sky guitar

Acacia Improv (K22ce)

Acacia Improv is an outtake of some improvisation done one day while I was recording “Acacia Just Noticed.”  That song as well as this short little improv were meant to highlight the koa guitar’s warm low-mid tone with a touch of sparkle in the treble register, to bring out the characteristic warmth and sweetness of the wood.  Hope you enjoy.

Acacia Just Noticed (K22ce)

Acacia Just Noticed came to me one day while improvising on my koa guitar.  Once aged a little, koa (part of the Acacia family, thus the titular play on words) imparts a warm low-mid tone with a touch of sparkle.  Sometimes, depending on how you’re playing, koa can be a little thin and bright, but here I’m playing without a pick and using part of the pads of my fingers to soften things up – especially useful with some of the snappy parts here.  Along with that, I feel like the the two sections of this song are played in registers that particularly lend themselves to bringing out warmth and sweetness of koa.  The overall combination of these elements melds together in a way that I felt made the wood shine through, thus the nod in the title.  Hope you enjoy.

Monsarrat Ave (Kamaka HF-3D)

Here’s a recent recording of “Monsarrat Avenue.”  This original solo ukulele piece pays tribute to the mellow vibes of the area around Monsarrat Avenue, which runs near Kapiolani Park and Diamond Head towards Kapiolani Community College.  There are so many little things to love on (or just off) Monsarrat: the Honolulu Zoo and its fence with local artists selling their wares, the wafting of music from the Kapiolani Bandstand or the Waikiki Shell, Kapiolani Park itself with the powerful beauty of Leahi, Diamond Head, in the background; nearby is a lovely little district of restaurants and shops.  After that, you pass rows of Kaimuki homes with people riding their bikes on quiet side streets as Monsarrat Avenue meanders and changes name to Diamond Head Road; it then passes by Kapiolani Community College – home of a popular (crowded) weekly Farmer’s Market – and curls around the back side of Diamond Head.

After the Solstice (Early Take)

After the Solstice and its harmonic laden chorus came to me one day after a winter solstice.  It’s a quiet, peaceful time of year where the days are gradually getting longer and your mind turns to the hope of a new cycle.  (I think it’s also fine for the already long days of summer too though.)  Hope you enjoy.

Glass Ball Slack Key (Kamaka HF-3D)

Glass Ball Slack Key is a favorite chestnut (or perhaps kukui nut) of uke players in Hawai’i; it’s a fun little ditty that is sure to please aunty or uncle.  I learned this song watching and listening to the great Led Ka’apana over the years.  A recorded version can be found on the classic Led Live album.  Many other ukulele players have covered the song over the years as well.  Hope you enjoy.

Here Comes the Sun – Fingerstyle Beatles Cover (Taylor 412ce)

One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar.  This is an alternate take of my  fingerstyle arrangement of the song.  Hope you enjoy.

4+ Minutes Ukulele Improvisation (Kamaka HF-3 Tenor)

Here’s some improvisation I recorded one day on a standard Kamaka HF-3 tenor ukulele.  The Kamaka tenor is a classic ukulele sound – for strumming of course, but also for single note lines.  The strings are the stock Kamaka brand black nylon strings with a wound low G – the Kamaka nylon strings have a soothing, mellow, jazzy tone – but also some nice sparkle and definition.  It’s a classic set that wears well.  Hope you enjoy.

Keiki Slack Key (412ce)

Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 412ce-R steel string guitar.  Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since.  To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe.  Hope you enjoy.

 

 

Meditation on Which Will (Nick Drake Guitar Part)

Nick Drake’s guitar parts (and music in general) seem to live in their own magical realm that we can tap into whenever listening to an album like Pink Moon.  I was trying a new recording set up one day and decided to see how it would sound playing my version of the guitar part from “Which Will,” which is not really meant as a note-for-note copy of the original guitar part.  Rather, I wanted to do a sort of meditation on the part and just enjoy the mellow vibes that Drake’s music always impart to me.  Hope you enjoy.