Here is an alternate take of my song “Banyan” (a/k/a “Banyans,” or “Banyan Tree Slack Key”), a slack key style song I wrote years ago on nylon string guitar.I used to play my gut string ‘beach’ guitar (an old Ibanez) around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport.So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even majestic banyan trees in general.Hope you enjoy.
This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.There can be no denying the strange, quiet magic of Hawai’i’sanchialine ponds.
Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.”I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.
Here’s a version of my song Iris recorded on the 912ce.Iris has a lot of harmonics, which creates a light, chimey atmosphere.The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song.Hope you enjoy.
Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement. Hope you enjoy.
Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.
Here is a demo from the vaults of a song called “Louisville Rag” that I recorded a few years back. The idea behind the tune was to write an uptempo instrumental with a similar feel to the Nashville Skyline Rag from the eponymous Bob Dylan album. Hope you enjoy.
Here are an alternate take and a remix of my fingerstyle guitar arrangement of Auld Lang Syne. It’s a slack key tinged version with an added bridge/transition, but otherwise follows the familiar melody closely.
Remix of original post:
Happy New Year!
Both takes recorded in Honolulu, Hawai’i 12/30/14.
Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.
Slack Key No. 1 is a classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.