Here is a demo of a song called Kuakini Slack Key, named after Kuakini Highway (which was in turn named after former governor of Hawai’i island and builder of Hulihe’e Palace, John Adams Kuakini).I wrote this in a friends’ condo which was off Kuakini, not far from Palani Road and the Kailua pier.As a kid, I also lived for several years in a home farther south that was just off Kuakini.
This is one of the few recordings done with a Larrivee parlor guitar I used to own – a rosewood / spruce P-09, which I have since sold.There’s also a fun little manual fade at the end.Hope you enjoy.
Here is an alternate take of Dennis Kamakahi’s song, “Hilo Rag.”This is a super fun song to play and one of my favorites from Dennis Kamakahi’s oeuvre.Better known for lyrical songs like Koke’e, Hilo Rag makes me wish I heard more of Dennis’s instrumental work.Hope you enjoy.
Here is an alternate take of my song “Banyan” (a/k/a “Banyans,” or “Banyan Tree Slack Key”), a slack key style song I wrote years ago on nylon string guitar.I used to play my gut string ‘beach’ guitar (an old Ibanez) around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport.So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even majestic banyan trees in general.Hope you enjoy.
This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.There can be no denying the strange, quiet magic of Hawai’i’sanchialine ponds.
Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.”I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.
Here’s a version of my song Iris recorded on the 912ce.Iris has a lot of harmonics, which creates a light, chimey atmosphere.The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song.Hope you enjoy.
Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement. Hope you enjoy.
Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.
Here is a demo from the vaults of a song called “Louisville Rag” that I recorded a few years back. The idea behind the tune was to write an uptempo instrumental with a similar feel to the Nashville Skyline Rag from the eponymous Bob Dylan album. Hope you enjoy.
Here are an alternate take and a remix of my fingerstyle guitar arrangement of Auld Lang Syne. It’s a slack key tinged version with an added bridge/transition, but otherwise follows the familiar melody closely.
Remix of original post:
Happy New Year!
Both takes recorded in Honolulu, Hawai’i 12/30/14.