Here is a remix of “Home Abroad,” a slide guitar song which was recorded as part of my Awake Again album project. While revisiting that project and remixing the album (a playlist of the full album is also available on the ‘music’ page), I had two different ideas for how I wanted to approach the mix for this song – basically a ‘wet’ mix which is featured on the remixed album, and a more ‘dry mix’ with a little less reverb that I decided to release here as a bonus track of sorts. Though the wet mix was a better fit for the album, I also like the directness of the dry mix.
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Straight Ahead Blues (310ce)
Here is another take of “Straight Ahead Blues,” also known as “New Blues,” which was recorded as part of my Awake Again album project. While revisiting that project and remixing the album (a playlist of the full album is also available on the ‘music’ page), I came across some alternate takes of a couple of songs that I thought it would be fun to publish; this is one of those songs. At the time I recorded this song, I was listening to the Clapton Unplugged album quite a bit, and experimenting with various blues ideas. Hope you enjoy.
Dragonfly Over Water
Similar to Sound and Solace, this improvisation was based on exploring ideas and textures, approaching familiar shapes and runs from a new angle. Here, the focus is on treble string melodies floating over a drone from some of the lower strings. Sometimes it’s important to try something a little different, to expand on familiar territory and explore new approaches, to record an improvisation and see what happens. Hope you enjoy.
Naupaka Slack Key ~ Early Take
Here is an early take of Naupaka Slack Key, a song that pays tribute to ‘beach’ naupaka, a cheerful bush that can be found near many beaches in Hawai’i. While the story of separated lovers embodied in the ‘half flowers’ of beach and ‘mountain’ naupaka is poignant, I often think of the little white berries bobbing around in the water at such places as Kamakahonu beach near the King Kamehameha Hotel in Kailua-Kona where I used to swim as a keiki. Not long ago, an old friend reminded me of the ‘lilikoi man’ who used to walk by the beach there selling passionfruit from a KTA shopping bag for a quarter. As kids, we would build sand castles, explore the nearby pier, and take small fishing nets to catch little minnow-sized fish for our beach bucket filled with seawater (which we would return to the ocean not long after). Anyway, the naupaka plant was often nearby during those childhood hours (small kid time, as they say) spent at various Kona and Kohala beaches – mellow and relaxing days with ohana and friends. Hope you enjoy.
Punahele – Ray Kane Slack Key Cover (Longer Version)
Here is another, slightly longer version I recorded of the classic Ray Kane slack key song “Punahele.” According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’” Hope you enjoy.
Hualalai Sunrise (Slack Key Guitar)
“Hualalai Sunrise” was inspired by the morning sunrises in Kailua-Kona on the Big Island of Hawai’i. Much of North Kona – from Kalaoa where I spent much of my early childhood to Holualoa where I later lived – can see the sun shining over the top ridges of Hualalai in the morning, bathing its warm light over the slopes from the summit to the ocean.
Bron~Yr~Aur (312ce)
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This version was recorded on my Taylor 312ce.
Welsh Dragonfly (312ce)
Welsh Dragonfly was born one day from ideas improvised after listing to some of Led Zeppelin’s ‘acoustic’ songs. I’ve long liked the story of Page and Plant retreating to a tranquil cottage in the Welsh countryside with acoustic guitars in tow to find inspiration in the bucolic atmosphere and write some new music. As for the ‘dragonfly’ part of the title, I’ve often been inspired by seeing dragonflies hovering around various places over the years, and indeed they’re striking creatures… I’m also a fan of Art Nouveau and reminded of the Tiffany dragonfly lamp design, a touchstone representation that stands out in my mind at the moment. Anyway, this is a song that makes me feel relaxed and peaceful when I play it. Hope you enjoy.
Ohio River Rag (Alt Take)
Here is another take of “Ohio River Rag,” which was recorded as part of my Awake Again album project. While revisiting that project and remixing the album (the full album is also available here), I came across some alternate takes of a couple of songs that I thought it would be fun to publish; this is one of those songs. The Awake Again album featured a good mix of both Hawaiian Ki Ho’alu / slack key and traditional acoustic blues influences, though I tend to think of songs like this as more of a blues number.
The Bantry Girl’s Lament (alt take)
Here is an alternate take of The Bantry Girl’s Lament, a traditional Celtic song which dates back to the early 1800’s. The arrangement is based on Martin Simpson’s version from his fine album “Leaves of Life.” While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E). To me, this is a peaceful, meditative song that gives pause. Hope you enjoy.