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Punahele – Ray Kane

Here is another Ray Kane cover – this time his classic song Punahele. According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’”
Similar to other songs Ray composed on the beach (Keiki Slack Key for example), this mellow laid back songs exemplifies Ray’s nahenahe approach that to me represents the archetype of ‘old style’ slack key. Like Keiki Slack Key, Punahele is one of the first slack key songs I learned, and has stayed on my setlists ever since. I recently improvised a few new licks into the song, and recorded a half dozen takes – some 5-6 minutes long. I think this short three and a quarter minute version gets the point across though. Hope you enjoy.

Sí Bheag, Sí Mhór

Here is my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version of the song is played a little on the slower side of what you normally hear, but I may record a slightly more uptempo version later on. I think the song works well both ways to be honest, one of the many interesting things about it. Hope you enjoy.

Morning and Night

Morning and Night started out as a fingerpicking study I wrote for one of my students way back when. I added a little to the study to perform it as a slow, relaxing solo piece and it has stayed in my repertoire ever since.
A few years back I decided to write a harmony part for the song, which I almost forgot about until I found a demo take while combing through some old files. I think it’s interesting to hear the song both with and without the harmony. Hope you enjoy both versions.