Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This is an alternate version recorded on my Taylor K22ce.
Like many, my first exposure to Cyril’s solo recordings came through his amazing albums recorded for the Dancing Cat label, including the “6 & 12 String Slack Key” album on which “Young Street Blues” is featured. This particular song was highlighted for me in Mark Hanson’s excellent book of slack key transcriptions, which featured this among other songs by Cyril and other slack key legends.
The liner notes to the album tell a story of Cyril writing the song at a recording studio on Young Street in 1991. I seem to recall another story, told by Cyril at a performance, about Cyril living in an apartment on Young Street and feeling kind of restless. Young Street, starts (or ends) in Honolulu’s Mo’ili’ili neighborhood, running between King Street and Beretania, through Makiki, to Thomas Square Park near the Honolulu Museum of Art. I recall Cyril talking along the lines of how Young Street was sandwiched between these prominent streets and landmarks in a kind of limbo, being neither here nor there. I think the song (and ‘that note’) speak to such a restless vibe… but also a sense of playfulness.
Unusually for his solo work, Cyril uses Taro Patch tuning – the most common slack key tuning, but not one featured as often as the C and D tunings Cyril favored. Cyril’s style is at once both muscular and nuanced, with deep tunings and sometimes the added jangle of a 12 string guitar – it’s a ‘large’ sound. I tried to capture that feel here by tuning down to a lower register. This song was fun to play and record. Hope you enjoy.
Alternately titled “Paia Morning” or “Paia Kakahiaka,” the song “Morning in Paia” began life as the harmonic laden intro/outro figure and grew into the mellow yet energetic song here. Paia Morning captures some of the mellow yet entrancing vibes of a morning in Paia, Maui: you start out strolling the sidewalks – still sparsely populated this time of day – perhaps pick up some fresh fruit from Mana Foods while catching a little bit of local news at the North Shore outpost, or head up the road a short ways to Island Fresh Café for some breakfast nosh. Next, travel back down the road to grab coffee at Paia Bay Coffee or Anthony’s, maybe taking a meditative stroll along the sand at Paia Bay before wrapping up with lunch at Flatbread Company or Café des Amis. Hope you enjoy.
Here’s an isolated track that I recorded for a collaboration a few years ago. That particular collaboration didn’t end up coming together, so I thought I would release this track as a stand alone piece. Hope you enjoy.
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This version was recorded on my Taylor K22ce.
This video features a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumental covers I have performed, recorded, and assembled here for your listening pleasure. These are songs by various slack key legends such as Gabby Pahinui, Ray Kane, Leonard Kwan, Keola Beamer, Fred Punahoa, Sonny Chillingworth, Atta Isaacs, Dennis Kamakahi, and Ledward Ka’apana – all slack key guitar masters who have been influential to me as well as many others. This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing. I like to listen to some of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances. Hope you enjoy.
Here’s a recently found recording where I’m improvising some ideas around Leonard Kwan’s classic slack key song Opihi Moemoe. One of the most popular songs in the slack key repertoire, this song has been covered by everyone from Ledward Kaapana to Chet Atkins. Opihi MoeMoe is a fun piece that lends itself well to improvised variations, and everyone seems to bring something a little different to this deceptively simple song. Hope you enjoy.
Here is an early version of my song “Fair Wind,” recorded not long after I wrote it. There is a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.
Momentum is an original I’ve been playing for a while. Over the years, I have added different bridges and changed the intro at times, but at its core the song remains the same. This version has a new bridge and was recorded on my Taylor K22ce.