“Hualalai Sunrise” was inspired by the morning sunrises in Kailua-Kona on the Big Island of Hawai’i.Much of North Kona – from Kalaoa where I spent much of my early childhood to Holualoa where I later lived – can see the sun shining over the top ridges of Hualalai in the morning, bathing its warm light over the slopes from the summit to the ocean.This is an early version of this song, though I have improvised several slightly different versions since.Hope you enjoy.
From the vaults, here is an old recording of a slack key medley performed during an informal kanikapila at what was then the Sheraton Keauhou Bay Resort Hotel (it has since changed hands from Sheraton).The medley starts out with a rendition of Little Grass Shack, followed by the classic Pua Tuberose.Hope you enjoy.
Here’s an isolated track that I recorded for a collaboration a few years ago.That particular collaboration didn’t end up coming together, so I thought I would release this track as a stand alone piece.Hope you enjoy.
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song.Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it.This version was recorded on my Taylor K22ce.
The Bantry Girl’s Lament is a traditional Celtic song which dates back to the early 1800’s.The ‘lament’ is for the soldiers who were called off to fight in the Napoleonic wars, but I find the melody is more wistful than maudlin.My fingerstyle version is based on Martin Simpson’s version from his fine album “Leaves of Life.”While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E).To me, this is a peaceful, meditative song that gives pause.Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.
This video features a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumental covers I have performed, recorded, and assembled here for your listening pleasure.These are songs by various slack key legends such as Gabby Pahinui, Ray Kane, Leonard Kwan, Keola Beamer, Fred Punahoa, Sonny Chillingworth, Atta Isaacs, Dennis Kamakahi, and Ledward Ka’apana – all slack key guitar masters who have been influential to me as well as many others.This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing.I like to listen tosome of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances.Hope you enjoy.
“Meadows” is a slack key song I wrote during a full moon in Kailua-Kona.I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean.Hope you enjoy.
Here’s a recently found recording where I’m improvising some ideas around Leonard Kwan’s classic slack key song Opihi Moemoe.One of the most popular songs in the slack key repertoire, this song has been covered by everyone from Ledward Kaapana to Chet Atkins.Opihi MoeMoe is a fun piece that lends itself well to improvised variations, and everyone seems to bring something a little different to this deceptively simple song.Hope you enjoy.
Here is an alternate take of the Bach Cello Prelude (BWV 1007) on guitar.I fell in love with the Pablo Casals recordings of the Bach cello suites a few years back.The prelude to the first suite is oft adapted for guitar, but it’s still a great piece to play.Hope you enjoy.
Here is a fingerstyle cover of “Every Breath You Take,” the hypnotic signature tune from The Police.Many stories surround the writing, recording, and subsequent success of the song – for example one interesting tidbit is that Sting apparently wrote the song while sitting at Ian Fleming’s writing desk on his famous Goldeneye estate in Jamaica.With its classic guitar part, “Every Breath” has a mellow / dreamy feel seemingly at odds with its borderline creepy lyrics – though some may find the song is a tad less sinister as an instrumental 🙂Hope you enjoy.