Tag Archives: Neumann TLM 102

Slack Key Number 1 (Taylor 412ce)

Here is an alternate take of Slack Key No. 1, the classic showpiece of slack key master Sonny Chillingworth.  I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.”  The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar.  Both versions are very similar, though with some slight differences.  I have incorporated elements from both versions in the arrangement I play.  Hope you enjoy. 

Keiki Slack Key (Nylon, Alt Take)

Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 414ce-NR nylon string guitar.  Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since.  To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe.  Hope you enjoy.

 

 

I’m on Fire (Alt Take, 412ce)

Here’s an alternate take of my arrangement of the Springsteen classic I’m on Fire.  This is a really cool little song – almost a sketch at under 3 minutes long, but it really creates a great atmosphere in that short amount of time.  Hope you enjoy.

 

Bantry Girl’s Lament (912ce)

The Bantry Girl’s Lament is a traditional Celtic song which dates back to the early 1800’s.  The ‘lament’ is for the soldiers who were called off to fight in the Napoleonic wars, but I find the melody is more wistful than maudlin.  My fingerstyle version is based on Martin Simpson’s version from his fine album “Leaves of Life.”  While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E).  To me, this is a peaceful, meditative song that gives pause.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

Meadows Slack Key (912ce)

“Meadows” is a slack key song I wrote during a full moon in Kailua-Kona.  I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean.  Hope you enjoy.  

Bach Cello Suite #1 Prelude (Alt Take)

Here is an alternate take of the Bach Cello Prelude (BWV 1007) on guitar.  I fell in love with the Pablo Casals recordings of the Bach cello suites a few years back.  The prelude to the first suite is oft adapted for guitar, but it’s still a great piece to play.  Hope you enjoy.

Makalawena (alternate take)

Here is an alternate take of “Makalawena,” an original song I named after a charmingly beautiful and relatively isolated beach on the Kona Coast.  Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point.  The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park.  I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay.  Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot.  The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these.  Hope you enjoy.

 

Wonderful Tonight – Remix

Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight.  Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison.  This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years.  In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings.  Hope you enjoy it.