Tag Archives: Neumann TLM 102

Welsh Dragonfly (812ce)

Songs50th Anniversary 812ce, acoustic guitar, blue sky guitar, dragonfly, fingerstyle guitar, guitar instrumental, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, Sinker Redwood tone, Taylor 812ce LTD, welsh dragonfly, Whales

Here is another version of my song Welsh Dragonfly, which was written after listening to some of the ‘acoustic’ music born out of Led Zeppelin’s retreat to the Welsh countryside. That music had an atmosphere at once both ethereal and bucolic, a vibe I try to tap into myself from time to time. This version of Welsh Dragonfly was recorded on a guitar with rosewood back & sides and a redwood top – the rosewood’s scooped midrange provides a nice separation between the bass and treble parts, fitting well with this arrangement. The redwood top mellows out the song a little – evening out the volume dynamics (adding sustain at times), and producing a warm sound. This song makes me feel relaxed and peaceful when I play it. Hope you enjoy.

Dragonfly at Dawn (Improv)

Songs50th Anniversary 812ce, acoustic guitar, blue sky guitar, dragonfly, fingerstyle guitar, guitar instrumental, improv, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, Sinker Redwood tone, Taylor 812ce LTD

Dragonfly at Dawn is part of what has become a small group of improvisations (dubbed Dragonfly Songs) exploring related ideas and textures. This improv serves as a meditation of sorts, with a recurring set of phases floating over a drone from the lower strings. It also feels like a contemplative interlude between some of the other improvisations in the group. Hope you enjoy.

Dragonfly in the Rain (Improv, 812ce)

Songs50th Anniversary 812ce, acoustic guitar, blue sky guitar, fingerstyle guitar, guitar instrumental, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, Sinker Redwood tone, Taylor 812ce LTD

Recorded during a thunderstorm, this improvisation expands upon some of the ideas and textures from my song Welsh Dragonfly. This recording and some other, related recordings made on different guitars and at different times, have formed into a small group I’ve dubbed Dragonfly Songs. Sometimes it’s good to further explore familiar musical terrain and approach existing themes from a new angle. Hope you enjoy.

Irish Well Wishes

Songsacoustic guitar tone, blue sky guitar, celtic guitar, fingerstyle guitar, guitar instrumental, Hawaiian koa, koa taylor, Neumann TLM 102, nick borho, Open D, open tunings, peaceful guitar, relaxing guitar, taylor grand concert, Taylor K22ce

Irish Well Wishes is an improvisation inspired by my love of Ireland and the Irish people. When I recorded this, I had recently been reflecting on my visit to Ireland years ago; the beauty of the land and the warmth of the Irish people is often talked about and portrayed in various films, etc., but actually traveling there I found it really did meet and exceed expectations (and yes, it really was ‘that green’). Also, at the time of recording this, I had been listening to a fair amount of Tony McManus and Martin Simpson – all of this gave rise to the improvisation here around some pieces of melody from Danny Boy and various other Celtic guitar ideas. Hope you enjoy.

Punahele – Ray Kane Slack Key Cover (Longer Version)

Songsacoustic guitar, blue sky guitar, Elixir HD Light, Fred Kelly thumbpicks, g wahine tuning, Hawaii, hawaiian guitar, ki ho’alu, nahenahe, nanakuli, Neumann TLM 102, nick borho, old style slack key, open tunings, peaceful guitar music, punahele, Ray Kane, Raymond Kane, real old style, relaxing guitar, relaxing music, slack key, Taylor 412ce-R, taylor grand concert, tranquil song

Here is another, slightly longer version I recorded of the classic Ray Kane slack key song “Punahele.” According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’” Hope you enjoy.

The Bantry Girl’s Lament (alt take)

Songsacoustic guitar, bantry girls lament, blue sky guitar, celtic guitar, fingerstyle guitar, Neumann TLM 102, nick borho, peaceful guitar, relaxing guitar, Taylor 912ce, taylor grand concert

Here is an alternate take of The Bantry Girl’s Lament, a traditional Celtic song which dates back to the early 1800’s. The arrangement is based on Martin Simpson’s version from his fine album “Leaves of Life.” While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E). To me, this is a peaceful, meditative song that gives pause. Hope you enjoy.

After the Solstice (Early Take)

Songsacoustic guitar, blue sky guitar, fingerstyle guitar, guitar harmonics, Neumann TLM 102, nick borho, open tunings, original fingerstyle, peaceful guitar, playing a melody with harmonics, relaxing guitar, Taylor 912ce, taylor grand concert

After the Solstice and its harmonic laden chorus came to me one day after a winter solstice. It’s a quiet, peaceful time of year where the days are gradually getting longer and your mind turns to the hope of a new cycle. (I think it’s also fine for the already long days of summer too though.) Hope you enjoy.

Here Comes the Sun – Fingerstyle Beatles Cover (Taylor 412ce)

SongsAbbey Road, acoustic guitar, beatles fingerstyle, blue sky guitar, fingerstyle guitar, George Harrison, Here Comes the Sun, honolulu hawaii, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, rosewood taylor guitar, Taylor 412ce, taylor grand concert

One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar. This is an alternate take of my fingerstyle arrangement of the song. Hope you enjoy.

Keiki Slack Key (412ce)

Songsacoustic guitar, blue sky guitar, fingerstyle guitar, Fred Kelly, Hawaii, hawaiian guitar, honolulu, keiki slack key, ki ho’alu, love, nahenahe, Neumann TLM 102, nick borho, open G, open tunings, peace, peaceful guitar, Ray Kane, relaxing guitar, relaxing music, slack key, st louis heights, taro patch, Taylor 412ce-R, taylor grand concert, taylor guitars, thumbpicks, tranquil song

Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 412ce-R steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. Hope you enjoy.

Ki Ho’alu (Gabby Pahinui Slack Key Cover, Taylor Nylon Guitar)

Songsacoustic guitar, blue sky guitar, dennis kamakahi, Gabby Pahinui, Hawaii, kailua kona, ki ho’alu, mauna loa tuning, Neumann TLM 102, nick borho, open tunings, Ozzie Kotani, peaceful guitar, Pure Gabby, relaxing guitar, slack key, taylor 414ce-NR, taylor classical guitar, taylor nylon

Here’s an alternate version of my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which of course is the Hawaiian term for “slack key.” I probably first heard this song on the stellar “Pure Gabby” album, although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version. My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.

Nick Borho

Slack Key & Fingerstyle Guitar