This is a demo of a slack key song I wrote years back called “Pualani Slack Key.” Hope you enjoy.
Recorded in Kailua-Kona, Hawai’i, 5/16/06.
This is a demo of a slack key song I wrote years back called “Pualani Slack Key.” Hope you enjoy.
Recorded in Kailua-Kona, Hawai’i, 5/16/06.
Here is an improvisation I did based on Leonard Kwan’s famous slack key arrangement of “Silver Threads Among the Gold.” This classic tune is a popular piece in the slack key repertoire and often one of the first things people learn when exploring Drop C tuning. Most listeners of modern day Hawaii radio will recognize Silver Threads as the slack key passage quoted in the intro to Country Comfort’s Waimanalo Blues, a beloved song in the islands in its own right. Hope you enjoy.
Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.
Here is a live version of “Punahoa Special” from 2007 (apologies for the camera work :-). This is a song I was fortunate enough to learn directly from Led Ka’apana, one that Led had in turn learned directly from his uncle Fred Punahoa. Though Fred never made a full album, he did make a notable appearance on the Waimea Music Festival album and fostered amazing talents of the next generation such as Led and Sonny Lim. This is an often covered song in the slack key world, and might also be the most popular song in Mauna Loa slack key tuning. Hope you enjoy.
Recorded live at the 25th Annual Hawaiian Slack Key Guitar Festival “Kona Style,” at the Sheraton Keauhou Bay Resort in Keauhou, Hawai’i 9/2/07.
Wake Up Slack Key (also known as Ho’ala Ki Ho’alu) was one of the first slack key style songs I wrote. It stayed in my set for a number of years, though I haven’t played it much lately. This demo was an early version of the song recorded not long after I bought my first Taylor on eBay, a 310ce that became my main guitar for 9 years. This take among the others in my archive really captures the spirit of the tune. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) in Kailua-Kona, Hawai’i, 5/13/06.
Here’s a demo of a song I wrote on electric guitar a while back. Then, as now, I played and recorded mostly acoustic fingerstyle tunes. This is one of a relatively few demos I made on electric guitar from that period in time. Hope you enjoy.
Recorded in Kailua-Kona, Hawaii on 5/3/06.
I originally wrote Sunday Slack Key as a single string melody, using fretted notes on only one string (and the other strings only open). Playing the melody on only one string is a concept I picked up at a jazz guitar clinic – I seem to remember Tal Farlow or Jim Hall proposing the idea as a means for chord melody – and the idea can be useful when arranging a fingerstyle song. Eventually I added a few fretted notes on some other strings, mostly to fill out the bass, yet the fretted notes of the melody remain mainly on one string. The name for the song came to me on a simple, relaxed Sunday, and seemed appropriate. This version of the song was recorded about five years after I wrote it and reflects a few modifications to earlier incarnations. Hope you enjoy.
I originally wrote Sunday Slack Key as a single string melody, using fretted notes on only one string (and the other strings only open). Playing the melody on only one string is a concept I picked up at a jazz guitar clinic – I seem to remember Tal Farlow or Jim Hall proposing the idea as a means for chord melody – and the idea can be useful when arranging a fingerstyle song. Eventually I added a few fretted notes on some other strings, mostly to fill out the bass, yet the fretted notes of the melody remain mainly on one string. The name for the song came to me on a simple, relaxed Sunday, and seemed appropriate. This is an early version of the song recorded not long after I wrote it. Hope you enjoy.
Recorded in Kailua-Kona, Hawai’i, 6/01/06.
Today’s demo from the vaults is Purple Orchid, a mellow slack key song played on nylon string guitar. The picture of me is in an ohana I had in Kailua Kona. Most of my recordings from this period were either done in that ohana or down by Magic Sands beach. Hope you enjoy.
Recorded in Kailua-Kona, Hawaii.
Kona Snow is another improvisatory piece recorded for my “Awake Again” project, which included a handful of songs that were connected by mostly shorter and improvisatory ‘transitions’ such as this. This song is named for the early spring blooming of the coffee trees on the slopes of Hualalai. People merrily dubbed the effect of white blossoms covering row after row of coffee trees “Kona Snow.” At the time I recorded this song, I was living next to a coffee orchard in Holualoa, Hawaii, just mauka of Kailua Kona. The setting amidst a wonderful agricultural tradition over a century old inspired me probably more than I knew at the time. Hope you enjoy.
Recorded in Holualoa, Hawai’i, 6/20/09.