Here is another Ray Kane cover – this time his classic song Punahele. According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’”
Similar to other songs Ray composed on the beach (Keiki Slack Key for example), this mellow laid back songs exemplifies Ray’s nahenahe approach that to me represents the archetype of ‘old style’ slack key. Like Keiki Slack Key, Punahele is one of the first slack key songs I learned, and has stayed on my setlists ever since. I recently improvised a few new licks into the song, and recorded a half dozen takes – some 5-6 minutes long. I think this short three and a quarter minute version gets the point across though. Hope you enjoy.
Here is my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version of the song is played a little on the slower side of what you normally hear, but I may record a slightly more uptempo version later on. I think the song works well both ways to be honest, one of the many interesting things about it. Hope you enjoy.
Banyan (a/k/a “Banyans,” or “Banyan Tree Slack Key”) is a slack key style song I wrote about 10 or 12 years ago on nylon string guitar. I used to play my gut string ‘beach’ guitar around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport. For one, the nylon strings aren’t as affected by the salt air, and for two, it was less expensive than my other guitar at the time, a Taylor 310ce that I didn’t want to take to the beach. So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even those mystical banyan trees in general. Shortly after writing this song, I sold that nylon – an Ibanez, sort of crossover model – though I continued to rotate this and a few other related songs in and out of my set. Until recently though, it had really been a while since I played this song. Once more, owning a nylon string guitar again inspired me to go back and revisit some older material. Hope you enjoy.
Today’s song is a cover of the Ray Kane classic “Keiki Slack Key” (not to be confused with the Sonny Chillingworth song of the same name). To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. I never got to take a lesson from Ray, though I did get to speak to him and his wife Elodia on the phone once, not long before he passed – a cherished memory. Keiki Slack Key is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. This arrangement was inspired by my recent purchase of a nylon string guitar; I really think this song works well on nylon for a number of reasons. Hope you enjoy.
Appearing as a sort of interlude on the Pink Moon album, Horn is a fascinating little study of a song in its own right. I love the simple melody and the atmosphere created by the space between the notes. I also really like the way this song works on nylon string guitar. (Apologies for the intonation in places – still getting a feel for this guitar and nylon again.) Of course, Drake apparently used really old, beat up steel strings, so his guitar work translates well to nylon. I don’t know what it is about the deceptively simple genius of his guitar parts, but they get me every time. Hope you enjoy.
Up until now, you’ve mostly heard me play steel string acoustic guitar. “Tranquility” is a song I recorded a years back on nylon string guitar. It’s a mellow, contemplative, and relaxing song. My friend Chris in Kona (no slouch on guitar himself) says it’s his favorite thing he’s heard me do. With that vote, I thought I would dig this out from the vaults for you.
Anyway, I haven’t had a nylon string guitar for going on 10 years… up until recently that is. I’ve made several recordings with it so far, and I hope to have them edited and posted before long. Meanwhile, please enjoy this song.
Here is a strum intensive song from the vaults called “Make”. The louder strumming in this song was meant to provide a counterpoint to some of the mellower fingerstyle and slack key songs I was playing at the time. I recorded this while living in an ohana unit with a large, tiled room that I kept mostly empty because I enjoyed the acoustics. (Plus, I didn’t own a lot of furniture.) Hope you enjoy.