The Bantry Girl’s Lament is a traditional Celtic song which dates back to the early 1800’s.The ‘lament’ is for the soldiers who were called off to fight in the Napoleonic wars, but I find the melody is more wistful than maudlin.My fingerstyle version is based on Martin Simpson’s version from his fine album “Leaves of Life.”While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E).To me, this is a peaceful, meditative song that gives pause.Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.
“Meadows” is a slack key song I wrote during a full moon in Kailua-Kona.I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean.Hope you enjoy.
Here’s a recently found recording where I’m improvising some ideas around Leonard Kwan’s classic slack key song Opihi Moemoe.One of the most popular songs in the slack key repertoire, this song has been covered by everyone from Ledward Kaapana to Chet Atkins.Opihi MoeMoe is a fun piece that lends itself well to improvised variations, and everyone seems to bring something a little different to this deceptively simple song.Hope you enjoy.
Here is an alternate take of the Bach Cello Prelude (BWV 1007) on guitar.I fell in love with the Pablo Casals recordings of the Bach cello suites a few years back.The prelude to the first suite is oft adapted for guitar, but it’s still a great piece to play.Hope you enjoy.
Here is a fingerstyle cover of “Every Breath You Take,” the hypnotic signature tune from The Police.Many stories surround the writing, recording, and subsequent success of the song – for example one interesting tidbit is that Sting apparently wrote the song while sitting at Ian Fleming’s writing desk on his famous Goldeneye estate in Jamaica.With its classic guitar part, “Every Breath” has a mellow / dreamy feel seemingly at odds with its borderline creepy lyrics – though some may find the song is a tad less sinister as an instrumental 🙂Hope you enjoy.
Here’s an alternate take of Keola Beamer’s Mino’aka (Smile), from his awesome Soliloquy album. Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen. Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book. In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key. Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel. Hope you enjoy.
Here is an early version of my song “Fair Wind,” recorded not long after I wrote it.There is a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.
For your listening pleasure here is a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumentals. This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing.I like to listen tosome of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances.Hope you enjoy.
Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight.Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison.This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years.In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings.Hope you enjoy it.