Here is another, slightly longer version I recorded of the classic Ray Kane slack key song “Punahele.” According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’” Hope you enjoy.
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Welsh Dragonfly (312ce)
Welsh Dragonfly was born one day from ideas improvised after listing to some of Led Zeppelin’s ‘acoustic’ songs. I’ve long liked the story of Page and Plant retreating to a tranquil cottage in the Welsh countryside with acoustic guitars in tow to find inspiration in the bucolic atmosphere and write some new music. As for the ‘dragonfly’ part of the title, I’ve often been inspired by seeing dragonflies hovering around various places over the years, and indeed they’re striking creatures… I’m also a fan of Art Nouveau and reminded of the Tiffany dragonfly lamp design, a touchstone representation that stands out in my mind at the moment. Anyway, this is a song that makes me feel relaxed and peaceful when I play it. Hope you enjoy.
The Bantry Girl’s Lament (alt take)
Here is an alternate take of The Bantry Girl’s Lament, a traditional Celtic song which dates back to the early 1800’s. The arrangement is based on Martin Simpson’s version from his fine album “Leaves of Life.” While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E). To me, this is a peaceful, meditative song that gives pause. Hope you enjoy.
Acacia Improv (K22ce)
Acacia Improv is an outtake of some improvisation done one day while I was recording “Acacia Just Noticed.” That song as well as this short little improv were meant to highlight the koa guitar’s warm low-mid tone with a touch of sparkle in the treble register, to bring out the characteristic warmth and sweetness of the wood. Hope you enjoy.
Acacia Just Noticed (K22ce)
Acacia Just Noticed came to me one day while improvising on my koa guitar. Once aged a little, koa (part of the Acacia family, thus the titular play on words) imparts a warm low-mid tone with a touch of sparkle. Sometimes, depending on how you’re playing, koa can be a little thin and bright, but here I’m playing without a pick and using part of the pads of my fingers to soften things up – especially useful with some of the snappy parts here. Along with that, I feel like the the two sections of this song are played in registers that particularly lend themselves to bringing out warmth and sweetness of koa. The overall combination of these elements melds together in a way that I felt made the wood shine through, thus the nod in the title. Hope you enjoy.
After the Solstice (Early Take)
After the Solstice and its harmonic laden chorus came to me one day after a winter solstice. It’s a quiet, peaceful time of year where the days are gradually getting longer and your mind turns to the hope of a new cycle. (I think it’s also fine for the already long days of summer too though.) Hope you enjoy.
Here Comes the Sun – Fingerstyle Beatles Cover (Taylor 412ce)
One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar. This is an alternate take of my fingerstyle arrangement of the song. Hope you enjoy.
Keiki Slack Key (412ce)
Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 412ce-R steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. Hope you enjoy.
Meditation on Which Will (Nick Drake Guitar Part)
Nick Drake’s guitar parts (and music in general) seem to live in their own magical realm that we can tap into whenever listening to an album like Pink Moon. I was trying a new recording set up one day and decided to see how it would sound playing my version of the guitar part from “Which Will,” which is not really meant as a note-for-note copy of the original guitar part. Rather, I wanted to do a sort of meditation on the part and just enjoy the mellow vibes that Drake’s music always impart to me. Hope you enjoy.
Magic Sands (Original Slack Key, Alt Take)
I used to take a guitar to sit and play some slack key at beaches around Kailua-Kona like Old Airport, Honl’s, Kahalu’u, Keauhou Bay, and La’aloa Beach Park… which is also known locally as White Sands, or Magic Sands. La’aloa Beach Park is just off Ali’i Drive a few miles South of Kailua-Kona. Often known as Magic Sands because the sand ‘disappears’ practically overnight from most of the shoreline during winter swells, only to fully ‘reappear’ in the Summer, the beach is a popular spot for residents of Kona. I often used to head over there with a cup of Kona coffee in the early morning before the crowds arrived, when it was still quiet, and sit on the picnic tables and play guitar. Here is a slack key style tune I wrote one day while hanging out with my guitar around Magic Sands. Hope you enjoy.