Here’s another take of “Crossing the Field,” a song from my “Awake Again” album.“Crossing the Field” was recorded as part of a pair of songs (along with its companion song, “Moment in the Sun”) to set the stage for the second half of the album.Following the dramatic strumming of “Make” that closed the first half of the album, “Moment” & “Field” framed the mellower vibe of the album’s remaining songs.Hope you enjoy.
“Meadows” is an original song I wrote during a full moon in Kailua-Kona.I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean.This version was probably recorded within a year of when I wrote it.Hope you enjoy.
Years back I was working on some turnaround ideas when I wrote “Slippery Slack Key.”Also known as the “Slippery Fish Slack Key,” this is a fast paced and fun to play slack key song that saw various incarnations in my set a few years back.The slippery runs were inspired in part by the fish in the waters off Kailua-Kona.Kona’s world famous fishing was also brought to mind frequently by my landlord at the time I wrote this song, a local fish boat captain named Chuck.Hope you enjoy.
Here is a song I wrote years back called ‘Saddle Up! Slack Key.’It pays tribute to Hawaii’s unique Paniolo cowboy culture, including the beautiful Pa’u riders I would see at the Kona Coffee Festival Parade among other events. Hope you enjoy.
This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.There can be no denying the strange, quiet magic of Hawai’i’sanchialine ponds.
Here is my cover of “Mauna Loa Slack Key,” one of the relatively few surviving original songs from legendary slack key kupuna Fred Punahoa.Though “Uncle” Fred never made a full album, he did make a notable appearance on the Waimea Music Festival album which features Mauna Loa Slack Key along with another of Fred’s originals, “Punahoa Special.”Uncle Fred’s legacy also includes fostering amazing Big Island talents of the next generation such as Ledward Ka’apana and Sonny Lim.Like the Punahoa Special, Mauna Loa Slack Key is an often covered song in the slack key world.Hope you enjoy.
Here’s a recently found cover I did of Leonard Kwan’s signature tune, Opihi Moe Moe. One of the most popular songs in the slack key repetoire, this song has been covered perhaps most prominently by Led Kaapana; in fact, Chet Atkins even recorded a version after hearing it from Leonard on a visit to Hawai’i. Notably, Leonard himself recorded several versions of this song including variations such as Opihi Bounce. Opihi Moe Moe is a fun song to play that lends itself to little variations, and everyone seems to bring something different to this deceptively simple song. Hope you enjoy.
Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby). Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album. Per below, my recording of the medley here includes a slightly different lineup of songs. Hope you enjoy.
Demo recording of original song Bumble Bee Slack Key, inspired in part by the nalo meli, honey bees buzzing about their business.I wanted a song that was both lively and mellow and think I achieved it.Hope you enjoy.
Today’s song from the vaults is an ukulele improvisation dubbed “Sunny Afternoon in My Ohana,” after the ohana unit where I recorded it. The unit centered on a large tile floored room with great acoustics that I kept mostly empty of furniture for recording purposes. People think of tile as producing a bright, harsh sound, but I never found the room to be that way at all. At any rate, it complemented the sound of ukulele nicely and though I only have a handful of uke recordings from that time, I recall playing uke a lot while living there. Anyway, this is one of those recordings; I hope you enjoy this music.