The Bantry Girl’s Lament is a traditional Celtic song which dates back to the early 1800’s.The ‘lament’ is for the soldiers who were called off to fight in the Napoleonic wars, but I find the melody is more wistful than maudlin.My fingerstyle version is based on Martin Simpson’s version from his fine album “Leaves of Life.”While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E).To me, this is a peaceful, meditative song that gives pause.Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.
Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement. Hope you enjoy.
Today’s song is a demo from years back called “Earlybird Sunrise.” Earlybird is a fingerstyle song with an expansive palette and ambitions of invoking a wide landscape. I also thought it would be fun to pull an old photo of myself – replete with long hair – from around the time I recorded this song. I have my old Taylor 310ce in the photo – a trusty guitar – but Earlybird was probably recorded with a budget model from another brand that was nonetheless fairly playable. It’s in an alternate tuning that I haven’t used since and I can’t recall how to play the song, but I still find it fun to listen to and hope you will enjoy as well.
Here is my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version of the song is played a little on the slower side of what you normally hear, but I may record a slightly more uptempo version later on. I think the song works well both ways to be honest, one of the many interesting things about it. Hope you enjoy.